Artist Isaac Cordal (tumblr / facebook) - “With the simple act of miniaturization and thoughtful placement, Isaac Cordal magically expands the imagination of pedestrians finding his sculptures on the street. Cement Eclipses is a critical definition of our behavior as a social mass. The art work intends to catch the attention on our devalued relation with the nature through a critical look to the collateral effects of our evolution. With the master touch of a stage director, the figures are placed in locations that quickly open doors to other worlds. The scenes zoom in the routine tasks of the contemporary human being”.

(via actegratuit)




In the late 1960s, photographer Arthur Tress began a series of photographs that were inspired by the dreams of children. Tress had each child he approached tell him about a prominent dream of theirs which Tress would then artistically re-create and photograph with the child as the main subject. 


(via vintagegal)


John Byrne’s studio as shown in photos taken by John. Part 1 of 2. January 2008.

It’s always a little bit amusing/nerve racking when I DO give tours to people who have not seen the house. The upstairs is relatively “grown up”, with mostly movie memorabilia and STAR TREK stuff to be “odd” — and that almost entirely confined to the TV room. But when I lead people down the stairs to the Studio, I usually say “Okay, brace yourselves, now. You are about to step right into the middle of my brain.”

(Source: johnbyrnedraws)

Festival Fantástico de Novedades. México 1987.



by Fabrice Fouillet | Via

Statues are often idealized works of art. They are ideological, political or religious representations and attempt to turn their subjects into fascinating, eternal figures. Even when erected to keep alive the memory of a single person, a statue that lasts many generations will eventually establish itself as a symbol for the community. 

Statues are even more influential when they are monumental. An edifice can be said to be monumental when it is unusual, extraordinary and physically imposing. It has to be abnormal — as exceptional as the political or religious power itself — and also inseparable from its symbolic aspects.

The series “Colosses” is a study of the landscapes that embrace monumental commemorative statues. 



The New Gods #6 original art by Jack Kirby & Mike Royer, printed page, and homage by Alex Ross

Caroline Polachek - Celebrando un año de Rhodopsin.

Philomena 2013 Flashback